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Liveticker zur Partie 1. FC Nürnberg - Borussia Dortmund am Spieltag 22 der Bundesliga-Saison / Der BVB spielt mit: Weidenfeller, Subotic, Lewandowski, Hummels, Barrios, Großkreutz, Bender, Piszczek, Schmelzer, Götze, da Silva. 0. min Spielstand: Am Mittwochabend empfing der BVB im heimischen Signal-Iduna-Park den Club aus Nürnberg. Die Borussia brannte dabei ein offensives Feuerwerk ab und.

BVB-FCN: So könnte der BVB spielen

Infos, Statistik und Bilanz zum Spiel Borussia Dortmund - 1. FC Nürnberg - kicker. Der BVB spielt mit: Weidenfeller, Subotic, Lewandowski, Hummels, Barrios, Großkreutz, Bender, Piszczek, Schmelzer, Götze, da Silva. 0. min Spielstand: Borussia Dortmund hat den angestrebten Auswärtssieg verpasst und kam am Spieltag der Fußball-Bundesliga nur zu einem

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Nürnberg vs Borussia Dortmund 4:2 Alle Tore 2012

Spiel-Bilanz aller Duelle zwischen Borussia Dortmund und 1. FC Nürnberg sowie die letzten Spiele untereinander. Darstellung der Heimbilanz von Borussia. Schluss! Das Gros der Zuschauer jubelt - denn der 1. FC Nürnberg trennt sich mit einem von Borussia Dortmund. Für den BVB ist es das bereits fünfte Spiel. Infos, Statistik und Bilanz zum Spiel Borussia Dortmund - 1. FC Nürnberg - kicker. Liveticker zur Partie 1. FC Nürnberg - Borussia Dortmund am Spieltag 22 der Bundesliga-Saison / Willi Multhaup. SinceBrixental in Pokerset Kitzbühel Alps in Austria is a BVB sponsor as well; furthermore, the region is host of one of the annual summer training camps. Archived from the original on 15 July

See for yourself why the London Times newspaper hailed ours as the best football stadium in Borussia Dortmund stands for intensity, authenticity, cohesion and ambition.

There's an intense character to everything we do. Our stadium is the epicentre. This is where all of BVB's energy is released. From inception at restaurant "Zum Wildschütz" "The Poacher" to winning the national championship and cup in May The BVB-History serves you years of black-and-yellow history of football.

Be it for yourself, your employees or business partners: Whatever the occasion, we would be glad to introduce you to the options you can choose from to turn into an experience.

This is the area where you can frame the match with spending your time in an atmosphere of exclusive luxury and fine hospitality. Join stars and starlets!

Borussia Dortmund are back in second spot! On Saturday afternoon BVB cruised to a win over Nuremberg to climb to second place in the Bundesliga for the first time since Matchday 12 as Bayer Leverkusen slipped to defeat to Mainz.

Hummels put the hosts in front on 51 minutes before Lewandowski 64 mins and Mkhitaryan 83 secured the win. This fixture was a top clash when looking at the table for the second half of the season, with the fourth of taking on the third, Nuremberg, who went into this game having taken 12 out of a possible 15 points this year.

Aside from BVB having a goal correctly ruled out for offside, chances were at a premium as the game passed the hour mark.

Still trailing, Albert Bunjaku was then thrown on by the manager in an attempt to give 1. But it was Dortmund who struck the next blow two minutes later, and it proved to be decisive.

Nürnberg seemed deflated at conceding the second goal, and could only muster a speculative effort from distance from Bunjaku in the 89th minute, before referee Florian Meyer called time on proceedings.

Despite the disappointment of another defeat, there were positive signs for 1. FCN, particularly in view of their first half performance.

They next face a mammoth game away at FC Augsburg on matchday What did the players and managers think of the game today? Borussia Dortmund.

Published duration 21 hours ago. Attribution European Football. Published duration 2 days ago. Published duration 6 days ago.

Published duration 1 December. Published duration 28 November. Published duration 24 November. Comments comments Published duration 23 November.

This trend reached its climax during the s. Following protests from the German Embassy after the release of a film depicting the execution of Edith Cavell Dawn , , dir.

A system of script vetting was introduced, whereby British studios were invited to submit screenplays to the BBFC before shooting started.

Imported Hollywood films were not treated as strictly as British films, as the BBFC believed that audiences would recognise American cinema as representing a foreign culture and therefore would not apply any political messages therein to their own lives.

So while the Warners gangster films and other s Hollywood films that dealt explicitly with crime and the effects of the Great Depression were released in the UK largely uncut, these subjects were strictly off-limits for British film-makers.

The increasing climate of post-war liberalism ensured that from the s onwards, controversies involving the BBFC centred more on depictions of sex and violence than on political expression.

There were some notable exceptions: Yield to the Night UK, , dir. Jack Clayton , which dealt with class divisions; Victim UK, , dir.

Basil Dearden , which implicitly argued for the legalisation of homosexuality, all involved the BBFC in controversy. In the organisation changed its name to "reflect the fact that classification plays a far larger part in the Board's work than censorship".

Home video and cinema versions of a film usually receive the same certificate, although occasionally a film may receive a more restrictive certificate for the home video market sometimes due to the bonus features , as it is easier for children to watch a home video than to be admitted into a cinema.

In December , the first computer game to be certified by the BBFC was an illustrated text adventure called Dracula , based on the Bram Stoker novel, published by CRL , the game received a 15 certificate.

The horror in both games came through largely in their detailed prose. Had the game publishers reprinted the games' text in book form, it would not have carried a certificate, as the BBFC has no oversight over print media.

Both games had numerous certificate stickers all over their covers to emphasise to parents and retailers that they were not intended for children, as computer games carrying BBFC certificates were previously unheard of.

The first video game to be refused classification by the BBFC was Carmageddon in , however a modified version of the game was later awarded an 18 certificate.

The partnership came at the time when digital media is on the rise worldwide and when parents are concerned about children seeing inappropriate content on video on demand or online gaming platforms.

The Board is a self-funded Quango. This council appoints the President, who has statutory responsibility for the classification of videos and the Director who has executive responsibility and formulates policy.

The Board, which is based in Soho Square , London, is financed from the fees it charges for classifying films and videos and is run on a not-for-profit basis.

In the case of films shown in cinemas, local authorities have the final legal authorisation over who can view a particular film.

The majority of the time, local authorities accept the Board's recommendation for a certificate for a film. There have been some notable exceptions — particularly in the s when the Board allowed films such as Last Tango in Paris and The Exorcist to be released with an X certificate essentially the same as today's "18" — but many local authorities chose to ban the films regardless.

Conversely, in , a few local authorities regraded Spider-Man from 12 to PG, allowing children younger than 12 to see the film.

However, the BBFC were already in the process of replacing the 12 rating with a new 12A, which allowed unders to see the film if accompanied by an adult, so shortly afterwards, the BBFC reclassified Spider-Man as 12A.

The first 12A certificate awarded was for The Bourne Identity. All films rated by the BBFC receive a certificate, along with "consumer advice" detailing references to sex, violence and coarse language.

If a certificate specifies that a film or video game is only suitable for someone over a certain age, then only those over that age may buy it.

The BBFC rates theatrically released films, and rates videos and video games that forfeited exemption from the Video Recordings Act , which was discovered in August to be unenforceable until the act was re-enacted by the Video Recordings Act The Video Recordings Act requires that video releases not exempt music, documentary, non-fiction, video games, etc.

Certificates could restrict release to any age of 18 or under, or to only licensed sex-shops. The government currently designate the BBFC as the authority for certifying video releases.

As the law requires the certificate to be displayed on the packaging and media labels of the video recording, in practice only UK releases can be legally sold or hired in the UK, even if a foreign release had identical content.

Local authorities do not have such power for video recordings. Under the Video Recording Act , all non-exempt recordings must be classified by an authority chosen by the Secretary of State for Culture, Media and Sport.

This classification is legally binding, in that supply of material contrary to its certificate recordings that have been refused a certificate, or supplying to someone younger than the certified age is a criminal offence.

However, possession is not an offence in itself, other than in the case of "possession with intent to supply". In theory this authority could be revoked, but in practice such a revocation has never been suggested, since most local authorities simply don't have the resources needed to do such things as remove cuts, pass films that the BBFC rejected and vice versa, put in place new cuts, etc.

The BBFC can also advise cuts for a less-restrictive rating. This generally occurs in borderline cases where distributors have requested a certificate and the BBFC has rated the work at a more-restrictive level; however, some cuts are compulsory, such as scenes that violate the Protection of Children Act or Cinematograph Films Animals Act The final certificate then depends on the distributor's decision on whether or not to make the suggested cuts.

Some works are even rejected if the distributor refuses the cut. The examiners and the directors of the BBFC are hired on a permanent basis.

Examiners are required to watch 5 hours 20 mins of media, to a maximum of 35 hours a week. Turnover is low and vacancies, when available, appear on its London job vacancies website.

The BBFC has also rated some video games. Normally these are exempt from classification, unless they depict human sexual activity, human genital organs or gross acts of violence, in which case the publishers should submit the game for classification.

Publishers may opt to submit a game for classification even if they are not obliged to. The BBFC also provide a classification service for mobile phone operators.

BBFC guidelines for film and video are used to calibrate the filters used by the operators to restrict access to internet content.

The default assumption is that mobile phone users are under 18 years of age. The BBFC guidelines are based on public consultations conducted every 4—5 years.

As regulator, the BBFC was intended to be responsible for identifying commercial pornographic websites accessible in the UK and empowered to take action against any which did not age-verify their users, including placing restrictions on their payment transactions or ordering their blocking by Internet service providers.

This was to be the case regardless of whether the websites were UK-based or foreign-based. The BBFC had been informally named as the likely regulator in , [42] [43] and in November of that year it was invited to take on the role and agreed to do so.

Before the BBFC was due to begin its role, it conducted a public consultation on its draft guidance beginning in March In March the BBFC published its guidance, which stated that social media would not fall under the BBFC's jurisdiction, and nor would websites where pornography made up a third or less of the website's material.

The BBFC proposed that a voluntary certification scheme should cover age verification providers. The BBFC currently issues the following certificates.

The current category symbols were introduced in October , replacing the previous ones that had been in place since May have adolescent themes.

May contain discrimination, soft drugs, moderate language, moderate violence, sex references and nudity. Sexual activity may be briefly and discreetly portrayed.

Use of strong language or very strong language may be permitted based on frequency and how it is used, as well as contextual justification.

More cuts are demanded in this category than any other category. Material that is exempt from classification sometimes uses symbols similar to BBFC certificates, for example an E "certificate".

There is no legal obligation, nor a particular scheme, for labelling material that is exempt from classification. Plans to mandate online age-verification to deny those who do not prove they are aged over 18 access to pornographic website content were subsequently abandoned.

Historically the Board has faced strong criticism for their overzealous attitude towards censoring films.

Prior to the liberalising decade of the s, films were routinely and extensively censored as a means of social control. For example, Rebel Without a Cause was cut to reduce the "possibility of teenage rebellion".

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